THE COLORS SHE PAINTS
"It is not exatly the colors that the artist Cláudia Simões paints. They interpret sounds taken from light or in the form of melodies, musicality, loudness that one can hear, or as a rustling of nature, the squeaking sound of banana trees, the whisper of the waves, the hissing of the wind. From this angle her paintings give us the perfect perception of sounds, and because of this we not only can see them, we also can hear them.
Her blues are stubborn, temperamental, almost incompatible. They jump from the canvas to our eyes and invade all our senses. It was to be like that since the beginning of time. The universe should have the color of a "veranico, "the ideal color. But now we do not always have that, but this artist paints and reproduces in her work what she sees from inside. All is calm and bright, creatively textualized, smoky, shaping, as conceived since the beginning. Let me live in this blue?
The colors of the salmon when fainting becomes pink. But they also can become an angry sky. Where did anyone see such sky with so much diversity? It may be a sky from the North East of Brazil. It may be a sunset in Bali or in a bay at Bonete Beach in Sao Paulo, where the artist has her atelier. It may be a sunrise of Tanzania or one of those hot days in Venice. Or who knows, with so much purple perhaps it came from Asia, China, Laos or other landscapes? Because it is through traveling the world that Claudia goes after colors and they are captured in her watercolors. She liberates the same colors in bunches of bananas, coconut trees, women, surfers, windows, boats. Brazilian landscapes admitted as functional content of the artistic universe.
With an academic background in science and physics, Claudia Simões also maintained her way of seeing poetry that her senses capture. This energy transforms itself into a deep love of nature, as she testifies. As if following a cycle, this love transforms itself in her objects of art, depicting natural phenomena as she observe it and moving the cosmic chrome. I believe that this is why she found the explosions of the yellow and mustard, going from the material to the immaterial.
There is a lot in the personal attitude involved in the artistic and humanistic proposal of Claudia Simões work. When a white spot - or various spots - are carefully analysed they take the shape of Amazon storks flying low, shouting to a nearby traveller. When mysteries and explorations between the sky and the sea mix into the foam, they allow one to see a wet dolphin. Where was this? It may have happened in any place because the world is a shell.
Always controllable in her magnitude, through her art we owe nothing to the globalization initiated by Marco Polo, the one who carried the dough of pizza from Egypt to Italy, the spaghetti too, but he brought it from China. Claudia Simões transmits colors.
In the current of the rivers, in the slope, in the high tide and in the camping under the trees the eyes of the artist contemplate fishing. To cheer the hearts capable of so much, she paints sounds using techniques and light. She generates the transformation of the Brazilian artistic view, proposing paintings that are necessary and stretched.
"
Joyce Cavalccante
The author Joyce Cavalccante wrote 7 books . She is president of the REBRA - Association of Brazilian Writers and member of the Council of Directors of RELAT - Association of Latin American Writers.
www.geocities.com/~joycava/
"Claudia Simões, who initiated in multiple arts...(from Pasquim 21, 2002)
|
"The watercolor paintings created by Claudia Simões reflect her expertise in the use of color with deep feelings. As former of scientist her watercolors reveal a keep eye for detail, yet they have a broad, sweeping sense of simplicity. The settings of her paintings are charming, beautiful and sweet. If paintings is a reflection of the inner feelings of the artist, then happiness is surely the soul of Claudia."
|
"Claudia, |
"Nuclear physicist with a broad academic background ClaudiaSimões exchnaged the atomic reactor for her art, for exhibitions in Brazil, in all of South America and in Europe.
|
"Looking at Claudia’s paintings, we find ourselves travelling in to yhe scenes depicted by her.
|
"Claudia’s watercolors, shown in the exhibitions, have a precious potential. They give rise to a process of inner self investigation that I have rarely witnessed in works of art.
|
"With brushes and paper knives that put the oil paint to the canvas, the painting is made.
With graphite, points and plumes to trace the paper, the dawing is made.
|
"Claudia’s work, within the lightness of watercolors, evokes a feeling, that is at times intense and strong, and at times refined and delicate, creating and emotional contrast difficult to achieve in this kind of painting. It feels almost like a music"
|
The World as Exercise
|